Out Painting Again

I guess I didn't get cold enough yesterday because I went back out today.

Oddly, I was a little chillier today but it might have been the wind.
My feet were fine though.

8x10 oil

The black dog at the lower right is named Lulu.  She came to visit me without her people.

I chose this view because of the perspective line of the trees.  I liked it.

I like doing these complex scenes on a small panel; it's really a challenge.

The Clydesdales were on patrol again today.

I was not fast enough with my camera.

Pebbles says F You.

The Obelisk at Central Park

It was very cold today but- I added toe warmers inside my boots and it was enough to keep me from freezing.  I think I may have officially won the battle against the cold.

At least in the 20s thru the teens.
I think I have the gear down.  It is working.
But it does take a LONG time to get ready.

Anyhow, here's today's painting.  It took over three hours today.

The painting has some issues but what I am very happy about is the composition.  
I'm not sure a year ago that I could have done a zoomed-out view as well.  It's something I have had trouble with, getting everything to fit, and I got it down today.

Note how the sky/light was completely different when I started.  This is the light scheme I went with for the whole painting.

The toilet carpet is still a huge win.

There was an INSANE line to get into the Met; I wonder why?  I have never seen it so long.

It was cold but I was completely ok today!

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About an hour into my painting, a cyclist came over.
It was my friend Bitz!
I was so happy to see her and we chatted for a little while.
Like me, she is basically immune to the cold.  We both love cold and snow.

We took a very ridiculous picture to send to Kedrin.

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And yes I cleaned my brushes shortly after I got home.

A Wonderful Cube

This post is all about art supplies, and if you love art supplies it should make you feel very happy.

I like the Chelsea Classical Studio lean medium so much I was intrigued by their other products, except they are expensive.

But they have a sample cube of little sizes of all their products and I got one.

I love it.
I love the packaging, I love the way everything smells, I love the little glass bottles.

To be honest, I'm not very worried about oil paint and toxicity.
I use Gamsol which is toxic but it is also the most refined mineral spirits on the market.  It is odorless and slow-evaporating and does not absorb through the skin.  I'm good with all of that, pls my window is always open.

I think there are way more toxic things people are exposed to that they don't think twice about- but somehow with oils everyone makes a big hairy deal about it which, I think is way overblown.

A little common sense and you're fine.

Gum Turpentine IS super very extremely toxic but is so rarely used these days. 
This is why oils have such a bad rep. Turpentine is not necessary.

Anyhow:

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I got some new oil at Blick the other day when I got the brushes.
Since I use a lot of different mediums, I go through oil very slowly, and I have a really old large glass bottle. But I am running low, so I got a new small bottle.

It doesn't smell right.

I LOVE- and I mean LOVE the smell of linseed oil.  That and lavender are my favorite smells ever.

But my new bottle doesn't have that nice smell.
It ... actually doesn't smell very nice to be honest. Not strong or terrible, but it doesn't have that nice distinctive fragrance I love so much.

My old bottle smells WONDERFUL.

I contacted Gamblin.

They responded in under 2 hours.
There has been no change to the manufacturing process and nothing else has changed either.  It's the same oil they use in their paints.

The only conclusion is that my new oil is.... new.

I already know that the linseed oil in paints is rancid.
But maybe my new bottle is so new it isn't rancid yet??
I hope it gets a nice smell soon.

*******
My adorable glass bottle of linseed oil in the cube from CCS DOES smell good, like linseed oil should!

Flipped Switch

I have become obsessed.

As in.... I have literally done an immediate 180 shift.

Brush cleaning.
I'm compulsive about it now.
I fully admit to being absolute crap about brush cleaning for... years.
And my brushes showed it.

I have been washing my brushes immediately after painting!

Carey thinks something might be wrong with me.
She's probably right.

I Goop them.
I Ivory Soap them.
I hair condition them.

They come out GORGEOUS and perfect.

You can also wash brushes with Woolite and, of course, The Masters brush cleaner...which I still swear by.

After Painting

 Ken Goshen's band was playing tonight, and one of his friends who I have been working with on website stuff invited me.
Janet and her friend Chris joined too.

I didn't have time after painting to stop home so I went right to Janet's, left my stuff, and off we went.

It was a fun night and the band was really good!
They are called Lost Amsterdam.
It was actually a couple of blocks away from my first apartment.

I support Ken Goshen on Patreon.  He's a really excellent teacher. (He's far left in the picture.)

I was really happy to meet him in-person. Abigail, the model who I have drawn a lot and painted in Central park, was there too.

This whole crowd is about 10 years younger than I am.  They are not my generation but they are still cool people and it's nice to be around other artists. I wish I knew people like this when I was in my 30s. I never found an artist crowd like this when I was at that life stage.  I would have loved it.

But anyhow it was good to go out and I was really happy Janet and Chris came with me.

Central Park Snow Dogs

Today I went out to paint in the snow... of course I did!

I mostly won the battle against the cold but my toes were really in some pain at the end.  I was ok by the time I got out of the park but I need to find another heat source in my boots.

Oil paint gets really, really stiff in the snow.  Usually I just use more solvent but today I tried Chelsea Classical Studio lean medium.

They have been around for a while but I never tried their products until today.
They make everything with lavender spike oil... the old bottle of spike oil I have (not CCS) smells really strongly of camphor and I never use it.  The CCS stuff actually does smell better.  Everyone says "oh it smells like lavender" -which is my favorite scent- but lavender spike oil is different than aromatherapy lavender.

Anyhow, the CCS stuff actually does smell pretty good.  It's a little camphor-ey but also a little lavender-ey.  Plus it is nontoxic so that's good.

It is VERY expensive though- I paid $16 for 2 oz.
But a tiny bit- literally drops- goes a very long way. So this bottle should last a while and it is WONDERFUL for subzero oil painting.

8x10 oil

Snow But Not a Blizzard

We had a good snowfall but it wasn't really a blizzard.
But I *had* go go out in it!

I called my friend Janet who is in the neighborhood to see if she wanted to come out in the sow with me.
She reluctantly agreed.

It was pretty out and we had fun,,, jut Janet got cold and wanted coffee and tiramisu, so off to the bakery we went...

I don't like coffee so I got a Mexican hot chocolate.  It was really good but could have been spicier!

Then we played in the snow some more.

Pre-Blizzard Prep

The cats are in hibernation mode.
Isis thinks she is me.

Furball is such a perfect fur ball!
She is so cute and perfect.

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I washed a LOT of brushes and re-packed my plein air gear.

Tonight I also went to Blick and got .... more brushes.
The Utrecht kind I want to try again with Good Brush Hygiene.

I'll give them another try. I really do like them a lot and I want them to last.

I reduced the amount of brushes in my brush roll, which has been gradually and ridiculously expanding.

Honestly this is still too many.

We are getting a blizzard tomorrow and I do love a good blizzard!
I got blizzard food. :)

Marshall Jones Week 3

Last night was my last class with Marshall Jones.

It was a great class and a good use of time and money.

Here is my unfinished and never-to-be-finished painting, 8x10 oil:

Notes:
Brush cleaning!

I have been using those nice Utrecht synthetics that everyone loves- including me- but they just don't last. And I talked to Marshall about that because they do last for him, although he did say he has heard others say the same as me, that they don't last. But I want mine to last!

I thought it was friction against the painting surface but he thinks it's paint in the ferrule.
And I'll own that I suck at brush washing.
I have made a vow to take better care of my brushes.
Especially when I plein air, I'm so bad about just swishing in solvent and calling it done, and that's just not good enough. 

I am going to try Marshall's brush regimen which involves putting that hand cleaneer Goop on the brushes after use and before cleaning.

*Wide vs tall again
*Don't make things too human too quickly

*Burt Silverman- I need to look him up.

Brush cleaning-
goop, ivory soap and scrub with one of those soap saver holder thingies, then cheap hair conditioner or The asters brush cleaner.

Art Grind- Marshall's podcast

I restarted the painting three times to get the placement right on the page.
At least I knew to look at the proper placement at the very start. Marshall didn't have to tell me that but he commented he was glad I was aware of the overall placement.

If you're off to a bad start it just can't go well at all.  So if it takes three times to start over... it takes three times. That's the nice thing about oil paint, just wipe it off.

*****

One of the most valuable things I got out of tonight's class is a very strange weird thing, and it had to do with not being able to "see" / resolve the model's eye.

I was in front, so it wasn't a distance thing. Squinting didnt work.  Staring didn't work... i just could not make it out.  She has light grey eyes and there was a large reflection from the spotlight right over her pupil. All the values were the same. I just.... couldn't see it, no matter how hard I tried.

And because of my own vision issues I am always unsure how I am seeing (missing stuff) differently than others... It's something I worry about a lot.

Marshall came over to check how I was doing and I told him I just can't see the eye...and you know what?  From my angle, he couldn't either!! We both really tried. I told him I was wondering if it was my vision and he said no definitely not, it was just at such a weird angle and lighting it wasn't visible.  Which is a weird thing to happen when looking at someone right in front of you.

Anyhow that really made me feel so much better.  I really needed that confirmation. Like honestly this was one of the best things that happened in the class.
Because I do doubt my vision sometimes, and I'm not sure I'm seeing everything.
It comes from... well a life of wacky eyes and not being able to read the board in school and crap like that.

I always worry- how can I be a good painter if I can't see?  Especially working from the live model; it really is so different than working from photos and is the most ideal situation. 

Back at LaG

Today I volunteered for most of the day for the dance senior luncheon at LaGuardia.
It was nice to be back, and this time I didn't have to take ANY stairs!

I can't believe Daya will be a senior next year!!

The Winter Dance Showcase was fantastic!

Doran

Dru and Branwen lost their wonderful cat Doran, so I did a painting for special friends of a special cat.

5x7 oil

Parent Observation- LaG Dance

Parent observation was over zoom.

Ballet was yesterday and modern was today.

Daya looked great.

I did a digital quick sketch but didn't post it anywhere.

I wasn't in a good art groove, this was maybe 30 mins in Procreate.

This is Daya's modern class from today.

The camera quality was really poor so you probably can't spot the huge glaring problem with this picture........

.......Daya isn't in the class.

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When she got home, I said to Daya, Your modern class looks fun.

She said I guess.  I think we had a sub today.

I said you did not have a sub today.

She said we didn't?

I said No.  It was parent observation day and I was wondering where the heck you were!

To which she replied...I thought that was yesterday.

me: It was yesterday AND today.

she: I did not know that.

What ensued next was an unpleasant conversation about where, exactly she was.

The locker room.

Why?

She said she was feeling "off".

Of course I was concerned and pressed for more details, but it ended up being that she skipped class 

to do homework, I am hoping that's true because it doesn't make a lot of sense.  Dance is the last period of the day and she didn't have dance after school either. It's a bunch of bs if you ask me.

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Daya has not been managing her time well with homework and she has waited until the very very last minute to do a ton of work. She has missed school AND dance because of it and I am Not Happy.  And I am Not Happy about being lied to.

I mean, it is hilarious that she chose to skip class on parent observation day......... but............

I told her I was going to email her teacher about it, that I wasn't just going to let it go unnoticed.

Daya is VERY VERY angry with me for emailing the teacher.

They have a good relationship though, and the point is not to get Daya in trouble but to give this visibility and not say it is ok to skip class.

Marshall Jones week 2

Week 2 of Marshall Jones... I was so physically uncomfortable last week that I just brought my plein air gear last night instead of using the easels in the room. 

I realized this class is my first time in-person with oil paint and a live model since before covid, and also since my eye surgery.  I have realized that I accommodate my physical space a lot because of my eyes.... or I don't know, maybe the space was ok for everyone else or they didn't mind or whatever but I couldn't deal with it.  My palette was way too low and the back and forth from there to the painting was terrible.

Plein air to the rescue!

I felt I did a little better last night and it's a reminder that I still need so much practice.

It's overwhelming to be honest.

I keep having these thoughts that I'm not really very good even after all these years.

I've been doing so much graphite drawing lately, it's got me in a linear- thinking mode rather than a shape/mass thinking, and I need to rebalance that.

Marshall did some tweaky work on my painting which made it look a lot better, most of it was blending edges. He's a really, really good teacher.

I would not call this a finished painting but this is as far as I got.

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The lip structure and the highlight that looked very bright below...

Marshall took 2 sheets of white paper. and put them under the light  One he left flat, one he crumpled then uncrumpled. The un-crumpled paper is an overall darker value than the flat sheet of paper- compare to the forehead vs the intricate lip structure.

This was a super interesting way to describe and think about values in the face.

Marshall made my painting look a lot better, mostly by smoothing my edges.  He told me he used to do a lot of work painting celebrity portraits and most of what he did was smoothing shapes together rather than sticking value piles of paint, which was, in fact, exactly what I had been doing!

I showed him my Loomis/Asaro head app and he was very interested in it and wants to check it out further.

******

In general my eyesight is a real pain in the ass with this stuff and all this time after surgery I'm still finding myself needing to figure it out and physically adjust and compensate to not having multi-focal vision. It sucks.

Marshall Jones Class #1

I’m taking a class this month over the next three weeks, every Tuesday.

It’s an alla prima portrait class with Marshall Jones (@sweetmarshalljones on Instagram)

Last night was the first session and it was great!

My painting definitely was not great but that’s ok, I almost never do good work during class.

Also, my physical space setup was so uncomfortable so next week i’m bringing my plein air gear.

Marshall is a great teacher and one of the reasons I like to take classes is to see how other people work, I always get good insights.

Sometimes they don’t even have anything to do with paint application.

*On painting from photos…. I get really weird about this because 1) i’m a snob and 2) I don’t like using other peoples’ reference unless for a commission and 3) those free photo sites are usually terrible.  It’s true that using photos can introduce a whole lot of problems because of distortion. You have to be selective about the reference.  I also have weird mental hang-ups and self-imposed walls that I havent fully defined to myself, I feel them but don’t know what they are or why there are there.

But the video demo Marshall showed of his painting was from a photo… it was a movie character, I forgot who. And it got me thinking that sometimes I’m too uptight.  I have actually been wanting to do practice portraits from Netflix screenshots, because the lighting is so good and there is no distortion.  Sometimes I getin my own way and it’s a weird mental thing.

*Sometime (often) I need to re-hear things. Things I know but they get other things stacked on top and end up at the bottom of my brain pile.  I got some good reminders.

*Marshall spent most of the time going around to everyone individually.  There was a wide experience range in the class from someone who did their first painting yesterday to experienced people. I really liked this because I have experienced being ignored in classes before because i’m “advanced” and the teacher focuses on beginners.  I do need help and critique.  That’s why I am there.  I don’t go to classes to already be good- I’m there to screw up and be out of my comfort zone and try new things. I liked that Marshall gave me the same attention as everyone else.

Because I am a geek I took some notes, this is here for my reference:

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Marshall started with Loomis

Tear duct half way

1/3 hairline/nose/chin

Alizarin
Ultramarine
Sap green
Makes awesome chromatic transparent black

Measure how wide vs how tall

Michael harding emerald green- Marshall’s tube is pretty and i want one

Rembrandt- transparent vs opaque
Undeveloped painting-  let the white of the eye be the cheek color instead of grey

Here is my painting- i really lost focus at the end because there were only 20 minutes left, I was physically very uncomfortable, my palette was different than I am used to and also unorganized, (I cannot work with a disorganized palette!!!) and I knew I was going to wipe the canvas- which at the writing of this post has already happened, thankfully.

I liked it more before I started adding color.  I need so much practice!!!!

Website Woes

I was going to go out yesterday and paint again, but freezing rain stopped that idea.

So I stayed home and did some work on my website, which drove me crazy.

I did find a great solution (also an easy one) but it took me a couple hours to get there.

And then I thought that maybe I should look into a new host… my website is wordpress, I built it…. It’s just a basic site and I have cheap hosting.  I have been getting weird errors and my admin area is slow so I thought…. Maybe I should check out FASO.

So I got a 30 day trial and I want to love it but I don’t.

And I must have some kind of gap in understanding, because a LOT of really big names in the art world have their websites thru FASO… but I thought their site builder was pretty awful to be honest.

Their support guy was ok but not great- as a potential customer I guess I was expecting a little more, especially because this week at work I am in a three day sales conference. And I’m a new prospect!

I might have given up but I remembered that Central Park modeling session with Abigail, where I met another artist named Kristy Gordon who works for BoldBrush.  So I DMd her on Instagram and she put me in touch with the person who promotes FASO.

We have a call scheduled for Thursday.

I remain on the fence and i told him I need help loving FASO because I really don’t, but… I mean, it’s good enough for Jeremy Lipking…… So I remain open to learning something new even though I really don’t like their site builder.  It’s way too limited.

I just think it is worth getting new info about so we’ll see how that goes.

Website building turns me into an insane crazy person and that’s not how I want to spend my 30 day trial,

I’m glad I found someone to talk to, but if not for meeting Kristy Gordon, I would have just given up.