I needed more paint refills.
And more new brushes because I'm really going through them, especially the small ones. ****
So here is my order from Jerry's, which was waiting for me when I got home from CT.
(It was very nice to come home to a box of paint.)
See that turquoise paint tube?
Some of you (Drusilla) are already aware that I'm a little bit insane.
And back in the Spring when I stocked up on paint, Jerry's had Lukas 1862 single-pigment PG 50 for something stupid like $6.50. (If you can get a tube of PG 50 for under $20 you have done well.)
So I got 2, and now I wish I got more because they must have realized the error.... and now it's $17-something, which is a normal price for this pigment. I wish I had bought 10 of them at the incorrect price!!
But I decided to get a Phthalo mix of turquoise because it is cheap and I wanted to compare.
And sometimes when I am out I like to mix a nice violet with magenta with my Cobalt Teal.
Since I also got a magenta refill which is slightly different (and better) than my old tube, I ran a color chart.
Without spending more time than I want to on color correcting this photo, my conclusion is that PG 50 is still the best and my favorite.
I can distinctly tell the difference under my easel lamp, but it is not too noticeable in the photo.
Approximation match is slightly greener and duller.
Out of the tube my fake turquoise is darker.
*****
There are 2 "rules" people love to preach dogmatically in painting.
1) use LARGE brushes and
2) don't use black
The first one is good advice in general and I agree with it.
I do recommend using a larger brush than you need.
However....... for the plein air work I have been doing lately- complex stuff on small panels... I need small brushes. I avoided them for a while because USE LARGER BRUSHES was so embedded in my brain and I just didn't get the results I wanted.
David and Thor also use small brushes, and David and I talked about it the other day.
He said he also always hears "use larger brushes!" but we both agree it's a better rule for beginners to stick to because it breaks people out of getting too fiddly and detailed rather than seeing overall large shapes.
I am not a beginner and I already know how to see in large masses so I will use small brushes as my needs dictate. I know how and when to use them, and that's the difference.
ON BLACK:
People are fixated on debating whether or not to use black.
Yep, it's a big thing that always comes up.
All academic painters use black that I am aware of.
Beginners and color theory people like to preach no black, I guess ?? because the impressionists didn't use it.
But even though you can mix a good black with ultramarine and burnt sienna, actual black will still give a darker value.
And--- most importantly- black controls chroma.
I am not a beginner and I already know about pigments, color theory, and color mixing, so I use black because I know how and why and when to use it.
Rules are ok as learning guidelines but it is important to know when to break them.